Bryan Day is a sound artist, musical instrument inventor, and conceptual artist based in the San Francisco Area. Using scavenged electronics, repurposed mechanical components, and amplified materials, he re-imagines them into constructivist sound sculptures. Since the late-1990s, he has built over a hundred sound object devices, from amplified measuring tape, hacked radio transceivers to electromechanical installations using magnets, hard drives and pendulums. His recorded work ranges from noisy electroacoustic improvisation to drony minimalism and audio collage, which is showcased in his projects Euphotic, Collision Stories and Seeded Plain. Day has performed, taught workshops, and built sound installations across Europe, Asia and the Americas. During his days, he can be found designing, building, and repairing science museum exhibits at the Exploratorium in San Francisco.

Since 1997 he has been running the new music label Public Eyesore and its sister label Eh?. Through Public Eyesore and Eh?, Day has produced and released nearly 300 albums of improvised and experimental music by artists from all over the globe and organized numerous tours for American artists in Japan. Day curated regular events at Canessa Gallery, Meridian Galley, Clawfoot House (Lincoln, 2009-2010), Tiptop Haus (Omaha, 2005-2007), The Magic Theatre (Omaha, 2006) and Sitting Still, Going Places first Friday series at Chatterbox (Lincoln, 2006-2007).

Day facilitates invented instrument building workshops, both to build instruments of his own design and freeform workshops that focus on building sound objects using repurposed materials. These include Whiskerphone, Rotowhisker, Sonic Marionette, Sound Mouse, Junk Kalimba and Circuit Bending. Get in touch if you are interested in hosting a workshop.